I won't front. I think Oasis' "Wonderwall" is a pretty damn good song. And by "pretty damn good," I mean that it's one of the best and catchiest pop r...
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I owe you an apology. Los Angeles' producer Danny Choi emailed me his simmering, minimalist groove "Blow" back at the very end of March. It was lo...
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I've been toying around with ideas for a new ongoing series here on Turntable Kitchen for some time now, but I've not been sure what format that w...
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It can be easy to forget that rock ‘n roll originated as the mutant offspring of the blues. With a few exceptions (such as The Black Keys) that blue...
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The American Analog Set has been extremely quiet lately (as in: they haven't released an album in seven years). But it wasn't always that way. Songwri...
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Blackstreet was formed in 1991 by singer producer Teddy Riley. Interestingly, Riley named the group by combining the names of two of his original grou...
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Brooklyn-by-way-of-San Francisco trio Lemonade have already proven themselves adept at both short-order improvisation and eclectic synthesization. Ind...
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Los Angeles, California-based Wildcat! Wildcat! consists of Jesse Taylor, Michael Wilson and Jesse Carmichael. Apparently, the trio have been pl...
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Ender Belongs To Me is an enigmatic experimental-pop duo hailing from Brooklyn that weave together ebullient and highly textured sound collages. T...
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There are some artists whose names are total head scratchers for me. Broken Social Scene (a band I adore) fits that category. The name distorted my ex...
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I can very clearly remember the moment I realized that Justin Timberlake's FutureSex/LoveSounds didn't suck. For it's first month or more of existence...