I was introduced to the music of Edmonton-based producer Thomas Michael, who records music under the nom de plume Ghibli, via a post by the always awe...
I won't front. I think Oasis' "Wonderwall" is a pretty damn good song. And by "pretty damn good," I mean that it's one of the best and catchiest pop r...
I owe you an apology. Los Angeles' producer Danny Choi emailed me his simmering, minimalist groove "Blow" back at the very end of March. It was lo...
I've been toying around with ideas for a new ongoing series here on Turntable Kitchen for some time now, but I've not been sure what format that w...
It can be easy to forget that rock ‘n roll originated as the mutant offspring of the blues. With a few exceptions (such as The Black Keys) that blue...
The American Analog Set has been extremely quiet lately (as in: they haven't released an album in seven years). But it wasn't always that way. Songwri...
Blackstreet was formed in 1991 by singer producer Teddy Riley. Interestingly, Riley named the group by combining the names of two of his original grou...
Welcome to the TK008 digital mixtape and digital singles page. We've got a great pile of MP3s that we're excited to share with you this month. Los...
Brooklyn-by-way-of-San Francisco trio Lemonade have already proven themselves adept at both short-order improvisation and eclectic synthesization. Ind...
Los Angeles, California-based Wildcat! Wildcat! consists of Jesse Taylor, Michael Wilson and Jesse Carmichael. Apparently, the trio have been pl...
Ender Belongs To Me is an enigmatic experimental-pop duo hailing from Brooklyn that weave together ebullient and highly textured sound collages. T...